Opera in three acts (1926) New Production! Celebrated contemporary artist Ai Weiwei makes his operatic debut with a new reading of Puccini’s fairy tale of misdirected love, exile and rule by decree. It’s a fitting project for Weiwei, famous for geopolitical installations, sculptures and photography that question authority and champion human rights and expression. From the ominous opening five notes, the score plunges audiences into an uncertain, violent world, seeped in bloodshed and despotism, where the cruel, seductive princess, Turandot (Ukrainian soprano Oksana Dyka), is pursued by a brave suitor (American tenor Michael Fabiano, in a role debut). This staging is performed without the ending added by Puccini's contemporary, Franco Alfano. The brilliant Oksana Lyniv conducts.
Community
Vote on scenes, quotes, and characters for Opera di Roma: Turandot (2022).
The moment that still lives in your head.
Starters for Opera di Roma: Turandot
Your take
Rate this title
Tap half or full stars · 0.5–10 scale
Be the first Cinemoood rating
Open communitySign in to save your rating.
None yet
See allMichael Fabiano
Calaf
