Broadcast between 1994 and 1997, this work spans three years and more than 50 hours of footage. While it figures into a rich tradition of artists using television against itself—bookended by figures from Andy Warhol and Jaime Davidovich to Ryan Trecartin—a broadcast of this scope by artists remains unprecedented. In this installment of Hyundai Card Video Views, we’re presenting 60-plus minutes of a “super-edit” intended to distill the essence of this epic project.
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